Blaze 106

From a product standpoint, Völkl has very few problems. The avatars of its latest technologies – the Mantra M6, Kendo 88, Mantra 102 and Deacon 84 – sit atop their respective genres, a stunning display of dominance. When one is so accustomed to winning, one wants to win at everything, and there was one arena where Völkl hadn’t made much headway: skis sold at lower price points. It was partly to appeal to the greater swath of the market who shun the pinnacle of the price pyramid that two years ago Völkl launched the Blaze series. At a $599 street price, the Blaze 106 hoped to attract the economy-minded in the market for a lightweight, off-trail ski. To hit the lower price point, it reduced its use of Titanal down to a mounting plate and lightened up the core considerably: a 186cm Blaze 106 weighs in at a mere 1772g, compared to 2330g for a 184cm Katana 108.

While the lower price no doubt made the Blaze 106 more attractive, it was its super-light chassis that made it an overnight star. The demand for skis that would work both in-resort and in the backcountry has created a new sub-category into which the Blaze 106 fits neatly. The Blaze 106 waltzed into what was, until recently, a niche market, hoping for a warm reception, and instead encountered a firestorm of demand for its new hybrid.

Meghan Ochs is power personified; you’d expect her to fold the Blaze 106 (which also comes in an identical women’s version) like it was made of meringue. Instead, she was stunned by its capabilities, calling it “one of my favorite skis I’ve ever skied at this width. Shocking!”

A Finesse ski that leaves real experts impressed with its Power attributes, the Blaze 106 punches well above its price point. Sure, it skis best when it has a little snow to push against, but that’s true of a great many Big Mountain models. The metal in the mid-section does a stunning job of quieting most of the ski, remarkable in a ski light enough to take to the backcountry.

Secret 96

Völkl takes product development very, very seriously, testing nearly 1,000 different skis a year, in every length it will manufacture. It uses a team of both in-house product designers and a dozen or so “externals” – top instructors and racers – to evaluate every design aspect. Their task is made trickier in that key design elements like Tailored Titanal Frame, 3D Sidecut, Tailored Carbon Tips and the Secret 96’s double-rockered baseline, all need to blend together for the magic to happen.

I mention this because the Secret 96 is essentially the same ski as the M6 Mantra, which sounds like a short-cut way to gin up a women’s ski. Far from it. One of the essential design goals of both new skis was to precisely tailor all aspects for all sizes, a process particularly beneficial for the largest and smallest sizes. Every decision was challenged in service to the main goals: more liveliness when pressured; accessible, tighter turn shapes; and smoother behavior in the turn transition, the “drift-to-carve” moment. The intent was to open up both the M6 Mantra the Secret 96 to more skiers, especially in the shorter lengths, i.e., those made for women.

Secret 102

The Völkl Secret 102 does not condescend. If you want to tear through crud as if it were rice paper, this is your ride. The Secret 102 has all the goodies: Titanal Frame coupled with 3D Radius Sidecut creates a ride that secretes power. Listen to the testimony of former US speed-event racer Edie Thys Morgan, a lady who has spent a lot of her skiing life in the upper end of the speedometer.

“The Secret102 may look like a fatty—and it’s definitely got the girth to plow through the powder of your dreams and its skied-out aftermath—but it’s no one trick pony. The ski gets happier as you dial up the intensity, which is also to say, it performs best when you’re the boss.

“For best results, you need to stay centered and be prepared to move forward and drive. This ski loves momentum. If you want to be able to maneuver through the woods and chutes with frolicky ease and then run it out and hit the groomers with some heat, this is your ski.

Blaze 106 W

Most Big Mountain models use a high-end construction, which is reflected in their retail pricing; the same could be said for most Völkl models, for the brand is known both for its high quality and the way its elite constructions attract a consumer crowd top-heavy with experts. The Blaze 106 W addresses both limitations, but the real reason it sold to the wall in its debut season is it fits the profile of a ski light enough for backcountry but stout enough to rock in-resort.

As last season unfolded, no one knew what resort skiing would look like except that it would be somehow rationed. Backcountry skiing, in comparison, seemed limitless, inspiring thousands of skiers who had thus far resisted its charms to take it up. The Blaze 106 W provided the perfect fit: price, performance and cross-over capability.

As for its performance attributes, listen to the testimony of Ingrid Backstrom, extraordinary athlete, film star and mom, describe her first experience with the Blaze 106 W. “On the icy groomers, I could hold an edge and go for bigger turns without chatter. The Blaze 106 made fun skiing instantly accessible to me on the tricky snow after many months of not skiing.”

Deacon v.Werks 84

Three years ago, I speculated that the freshly minted Deacon V.Werks wouldn’t have the same downstream impact as the Katana V.Werks, but I may have spoken too soon. One of the most esoteric features of the Deacon V.Werks was a lattice-work of carbon fibers crisscrossing the tip, which inspired the Tailored Carbon Tips of the M6 Mantra and new Kendo 88. Working in concert with Tailored Titanal Frame, Tailored Carbon Tips give the latest Mantra and Kendo the same clear connection to the front of the ski found in the Deacon V.Werks.

All carving skis are judged by how well they maintain edge connection throughout the turn on hard snow. Classically, the key to keeping a ski quiet all along its edge was to ladle on the Titanal, a proven method that achieves its damping objective in part by its mass. As an innovator in lightweight design, v.Werks instead turned to its wheelhouse material, carbon, to make a damp, non-metal ski that would be light and responsive.

Several factors work together to make the Deacon v.Werks easy to steer into a tight-radius turn without a lot of encouragement from the pilot. The cambered center section of its 3D Radius Sidecut is slalom-turn tight (14m@172cm); all the skier has to do to activate it is tilt the edge to a high angle, a normal move for anyone who knows how to carve. To make it easier to depress into a deep carve, the abbreviated camber line underfoot is fairly shallow and soft. The tip and tail rockers are long and gradual so the long-radius zones at front and rear don’t interfere with the ski’s quickness edge to edge.

The absence of metal and low elevation of the Marker system give the Deacon v.Werks a clarity of snow feel and lively energy that’s relatively rare among elite carvers. Most skis this damp and quiet on the edge are anything but nimble, but the Deacon v.Werks feels agile, quick to find the edge and lively coming off it. Jim Schaffner called it, “Idiot proof!!! This ski has great range. I found that the fore/aft balance was perfect, and the sweet spot as big as a locomotive. Like having an auto-correct feature that makes it easier to ski.”