Peregrine V.Werks

Völkl has always cultivated a high-end clientele, both in terms of skill set and what they’re willing to pay for skis. The German brand has been so successful at cultivating an affluent, expert customer base that it has the enviable problem of being pigeonholed as a high-end ski for talented skiers. But even the expert-ski market has a price ceiling above which it’s risky to rise, which puts a damper on commercial adventurism.
But what if money were no object? To answer this envelope-pressing question Völkl created V.Werks, a special production unit that focused on the Holy Grail of ski design, superlight construction wedded to elite performance. The star product of the V.Werks lab was the Katana V.Werks, which remains in the line in 24/25. Its 3D.Ridge chassis worked so well, it became the backbone of Völkl’s non-race collections. Within a few years of the Katana’s introduction, its DNA had spread to nearly every corner of Völkl’s recreational collection. From a construction standpoint, the Katana became the conceptual grandfather of almost the entire line.
Five years ago, I speculated that the freshly minted Deacon V.Werks wouldn’t have the same downstream impact as the Katana V.Werks, but I may have spoken too soon. One of the most esoteric features of the Deacon V.Werks was a lattice-work of carbon fibers crisscrossing the tip, which inspired the Tailored Carbon Tips of the M7 Mantra and Mantra 88. Working in concert with Tailored Titanal Frame, Tailored Carbon Tips give the latest Mantras the same clear connection to the front of the ski found in the Peregrine V.Werks.
All carving skis are judged by how well they maintain edge connection throughout the turn on hard snow. Classically, the key to keeping a ski quiet all along its edge was to ladle on the Titanal, a proven method that achieves its damping objective in part by its mass. As an innovator in lightweight design, V.Werks instead turned to its wheelhouse material, carbon, to make a damp, non-metal ski that would be light and responsive.

Thunderbird R15 WB

In the fat ski genres where Americans buy the vast majority of their skis, Blizzard is riding a decade-long hot streak. If you only look at skis over 85mm at the waist, it seems like Blizzard hasn’t missed a beat since the launch of its Flipcore baseline. But if you take a step back and look at the world market, there’s a category or two of carvers, skis meant to execute perfect, technical turns on hard snow, where Blizzard is all but invisible, at least in the U.S. For whatever reasons, its Quattro series never captured the imagination of the American carving public. The only way Blizzard was able to penetrate the Frontside segment stateside was with a tiny-waisted, off-trail model (Brahma 82), which is sort of like entering the category via the service entrance.
Consider the problem solved. The Thunderbird R15 WB, introduced three seasons ago and given a modest upgrade last year, doesn’t try to mask its racing pedigree with a carbon overdose; the communication with the angled edge is crisp and clear. The Thunderbird’s snow feel is like HDTV compared to the Quattro’s low-def reception. One reason the T-bird R15 WB feels so sublimely connected is its TrueBlend core has been modified to fit the hard-snow environment. By re-positioning tendrils of high-density beech within strata of lighter poplar, TrueBlend creates a perfectly balanced flex for each size. This may sound like esoterica only an expert can feel, but it’s palpable, and it’s wonderful.
Complementing TrueBlend is a carbon platform underfoot to help muffle shocks without losing the precision of the ski/snow connection. With this combination of wood and carbon, Blizzard has finally found a way to make a carver that is both quiet on the edge and explosive off it. And boy, is it fun to drive.

Anomaly 84

When Blizzard completely overhauled its All-Mountain collection this year, the Brahma 82 had already carved out a spot for the Anomaly 84. Having learned from the Brahma experience to keep the performance standard high, the Anomaly 84 uses the same FluxForm construction as its three beefier brethren. The key to FlexForm’s magic lies in how it deploys its Titanal elements up, down and across its chassis. What would normally be a single, .4mm Ti laminate on top is replaced with a .6mm central Ti plate that is independent of two end-to-end Ti ribbons positioned over the edges. A .4mm bottom Ti laminate runs wall-to-wall, giving the Anomaly the strength to grip early-morning groomers. The multi-part top dose of metal allows the ski to flex under less pressure, giving the Anomaly 84 a smooth transition from turn to turn.

Even though the Anomaly 84 is manifestly the tightest turner in its family, it’s still a long-turn lover at heart. It is also perforce the quickest Anomaly edge-to-edge, although tiny, C-shaped carves aren’t naturally in its repertoire. The Anomaly 84 feels right at home motoring along on well-compacted boulevards, despite a baseline that begs to be taken off-road. In other words, the Anomaly 84 lives up to its name, displaying a bundle of anomalous behaviors.

All of its anomalous virtues notwithstanding, if what you’re looking for is an off-trail aficionado, why get an 84 when there are so many wider options better suited to the assignment? The question is perfectly valid, but it’s looking at the issue through the wrong lens. What the Anomaly 84 provides is an on-trail ski that isn’t fixated on short turns, buried edges and slingshot exits. Its off-trail DNA is always available to draw on if you care to dabble in the crud at the edge of the trail, but it doesn’t need new snow to calm it down or give it a sense of purpose.