There’s stability, then there’s MX89 stability. Nothing fazes it. Send it through crud and it bashes every sodden clump of set-up snow out of its way. Toss it on ice and it acts right at home, begging its pilot to tip it further on edge and trust it to hold a honking arc. If it has a speed limit, chances are you’ll never find it.
The MX89 exceeds expectations because it flies in the face of current fashion. It is not worried about its weight. Its camber line runs uninterrupted from shovel to tail, as does its sidecut. Its core is made from silver fir and beech, not cork, Koroyd or Paulownia. The top and bottom sheets of Titanal are a stout .5mm thick and paired with sheets of 0o/90o fiberglass weave. Aside from its shock-damping Hollowtech tip, its construction couldn’t be more traditional and its merits couldn’t be more evident once you put it all in motion.
Against the backdrop of the other GS race skis in this genre, the Kästle RX12 GS stands out like a ballerina among lumberjacks. Some of its superior fluidity has to be attributable to its lack of a racing plate or binding interface of any kind. The skier is closer to the snow, giving the RX12 GS a living pulse when pressured, unfiltered by extra layers of elastomers and metal.
By elevating the skier on what amounts to a taller tower, a race plate takes the subtlety out of turning; once you tip the tower over, you’re committed to the ensuing high edge angle. The lower altitude of the RX12 GS makes it easier for the skier to feather the edge throughout the turn, rather than relying on the brusque, all-in style elevation encourages.
It’s this suppleness that makes the RX12 GS so versatile in terms of both turn shape and terrain adaptability, traits not usually found in a GS race ski. All of its attributes considered in toto, the RX12 GS behaves more like a luxury cruiser than a brute gate basher. It requires less energy to guide, less force to bend and a less aggro stance to engage.
There’s a lot of subtext to the Sick Day collection, of which the 114 is the fattest and ipso facto the floatiest. Sick days are all about not showing up, and with a tip rocker that rises two centimeters off the deck, mated with a pulled-back forward contact point, the Sick Day 114 always cuts the first class. Even when it’s asked to turn nicely, it doesn’t sit up straight but sort of slouches through the turn. Riding a high edge on a ski this wide is a lot like work, so it drifts through the turn stress-free.
If this sounds like the Sick Day 114 would rather get terminal acne than carve a turn, let’s just say it performs like the solid “C” student that surprises you on test day. It’s actually very simple to steer, taking the hint from light pressure to find its way across the fall line. Its most unexpected talent lies in short turns at slow speed, not normally in the Powder ski playbook. Of course it doesn’t make short, carved turns, but it smears its way side to side without a hitch or a great deal of pilot input.
To the degree that there’s a generational rift splitting the Powder category in two – Boomers still holding onto the idea that technical skiing can translate to bottomless snow, while Millennials’ idea of powder technique is to get airborne as often as possible – the Catamaran lands squarely (switch, of course) on the side of the kinder. The Catamaran’s signature asymmetric sidecut presumably helps keep this natural drifter from getting in its own way, but the forebody is so rockered the imbalance between inside and outside effective edge length is disguised.
The Catamaran’s tail is also rockered, but not to the point where it can’t support someone tossing a gainer into a couloir. This is, after all, an athlete-driven ski, with Sean Pettit and Pep Fujas lending their street cred to its popularity. How well what they regard as de rigeur is adapted to your personal, inimitable style, I leave entirely up to you.
K2 flipped its entire freeride family this year, closing the Pinnacle period and beginning the Mindbender era. Mindbenders come in two flavors, with a Titanal yoke or a variable carbon weave as the principal structural component. Mindful of the need to keep fat skis on a diet, the Mindbender 116C is of the metal-free variety. The dip in torsional rigidity makes the Mindbender 116C feel narrower when it’s tipped and pressured, so traditional powder technique’s rhythmic turning style fits its strong suit.
But if you never attempt to stand on the edge, you can still smear your way along just by twisting your feet sideways. Not being as stiff or heavy as a Ti-laden model, the Mindbender 116C is easier to manhandle when necessary and never refuses an invitation to drift around a turn. As you’d expect from the Kings of Rocker at K2, the rocker at both tip and tail are long and high, creating a predisposition to bank off the base rather than carve on the edge.
